With the feeling of the Summer,” says Łukasz. “Male and female, serious but friendly. The semi-rounded details of the letters give Lato a feeling of warmth, while the strong structure provides stability and seriousness. At the same time, he created a sleek sanserif look, which makes evident the fact that Lato was designed in 2010 - even though it does not follow any current trend.Ī a ª Á á À à Â â Å å Ä ä Ã ã Ą ą Æ æ B b C c Ć ć Ç ç D d Ð ð E e É é È è Ê ê Ë ë Ę ę F f ﬁ ﬂ ƒ G g H h I i Í í Ì ì Î î Ï ï ı J j K k L l Ł ł M m N n Ń ń Ñ ñ O o º Ó ó Ò ò Ô ô Ö ö Õ õ Ø ø Œ œ P p Q q R r S s Ś ś Š š ß T t ™ U u Ú ú Ù ù Û û Ü ü V v W w X x Y y Ý ý Ÿ ÿ Z z Ź ź Ž ž Ż ż Þ þ 0 1 ¹ ½ ¼ 2 ² 3 ³ ¾ 4 5 6 7 8 9 _ - – -, : ! ¡ ? ¿. He used classical proportions (particularly visible in the uppercase) to give the letterforms familiar harmony and elegance. He wanted to create a typeface that would seem quite “transparent” when used in body text but would display some original traits when used in larger sizes.

When working on Lato, Łukasz tried to carefully balance some potentially conflicting priorities. Originally, the family was conceived as a set of corporate fonts for a large client - who in the end decided to go in different stylistic direction, so the family became available for a public release. In the last ten or so years, during which Łukasz has been designing type, most of his projects were rooted in a particular design task that he needed to solve.

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